Steady Hands. No Fast Pans. Don’t Use the Zoom. “Nightcrawler” Review

Dan Gilroy’s Nightcrawler wants to be noir in the same way that Lou Bloom wants to be a cinematic auteur, clinging with tight desperation to an idea that can never fully come to fruition. Instead it lurks in shadows and creates a quiet, pensive beauty grown from a horror that should deeply disturb us but … Continue reading Steady Hands. No Fast Pans. Don’t Use the Zoom. “Nightcrawler” Review